Kade is the Dutch word for “quay,” a reference to the ports of Amsterdam and Rotterdam where David Quay found the inspiration for his design and the name of its designer. Tasman’s original purpose as a newspaper type influenced its proportions and look considerably - the goal was to keep the personality as warm and playful as possible while preserving a credible, trustworthy tone. Built according to humanist principles, Winco offers excellent reading comfort in long-form text, while striking design details reveal themselves in larger sizes. Its graceful calligraphic letterforms infuse editorial design, advertising, and more with a supple elegance. Try Lavigne if you are looking for a serif typeface that is warm and approachable. It combines well with Winco and Tasman, also featured in the illustration above. Lavigne has both text and display cuts with letterforms optimized for small and large type, respectively. Retype launches on Adobe Fonts with six type families. Retype founder Ramiro Espinoza dons two hats-one of a type historian researching Dutch vernacular lettering and historical faces and updating them for today, and one of a type designer examining the current state of graphic design and creating original typefaces for contemporary users.
Retype revisits classics and rethinks modern types Learn more about Bold Monday at Type Network. The stately capitals lend confidence and class to headlines, titles, and logos, in print and on screen as well as on brick and mortar. Oskar One’s sharp apexes and expressive letterforms reveal its Art Deco roots Oskar Two is more reserved and versatile. Oskar is an all-caps titling face in plain and inline finish and two variants. Pieter mined early 20th century Dutch architectural and commercial lettering for inspiration during the development of Oskar. Personable in large sizes and serviceable when used small, its more showy characters can be toned down by activating stylistic variants. Incorporating subtle hints of vintage grotesque types, the typeface has bite and expresses a hint of quirk in its robust letterforms. The happy-go-lucky Bilo is Pieter’s answer to the sanitized, “neutral” sans serifs flooding the market. Wait until you discover the cute dog icons Dirk Uhlenbrock added to Bilo’s character set! Illustration guest starring Oskar in the black sticker. While they release both their own work and fonts from a select group of collaborators, the independent foundry’s initial offerings on Adobe Fonts are two type families from its founders. Inspired by New Order’s iconic 1983 hit - the best-selling 12-inch single of all time - Dutch type designers Paul van der Laan and Pieter van Rosmalen banded together as Bold Monday. Strap in and get ready to rejuvenate your typographic toolbox with the offerings from no fewer than seven foundries new to Adobe Fonts (including two from Type Network), and a total of 122 new type families and six expanded families - all already licensed and included with your Creative Cloud subscription. Well, not exactly a gazillion, but you’ll have to agree over 1,000 is pretty impressive. It seems like the typographic world has also awakened, because typefaces are popping up on Adobe Fonts like a gazillion blossoms on a cherry tree.
Spring Into Action with Fresh Fonts Rejuvenate your work with 1,075 fresh fonts in your Adobe Creative Cloud subscription.
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